The throttle box specializes in high gain but you ll find its organic sounding lower gain settings to be perfect for blues and classic rock.
Mesa boogie throttle box price.
Built by the same award winning sound artisans who designed the mesa boogie mark five and the dual rectifier the mesa boogie throttle box distortion boasts the same high quality components and circuitry as others from the mesa boogie line.
The throttle box packs a five band eq plus a host more flexibility.
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Http bax sh op hgteeq productspecialist harry maes bespreekt in deze video uitvoerig de mesa boogie throttle box.
The mesa boogie throttle box eq distortion pedal serves up two distinct distortion modes and tops it off with the sonic sculpting power of a five band graphic eq.
Mesa boogie throttle box distortion effector used from japan.
Mesa boogie throttle box distortion pedal.
High gain and mid cut levels replicate the sound of a full mesa stack near meltdown while various lower gain settings conjure the soulful sting of a lone star or mark.
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Mesa boogie expands on the wildly popular throttle box overdrive pedal with the throttle box eq.
This tone monster adds a 5 band graphic equalizer to a killer drive capable of a plethora of modern drive tones.
The throttle box is warm but aggressive cutting but organic and full of tons of sonic possibilities.
But it excels at creating a wall of wicked distortion and extreme levels of sustain.
The hi lo footswitch toggles between more and less gain with volume knobs for each mode.
4 of selling price to double the warranty from 1 year to 2 years.
Mesa boogie is ongeveer de uit.
You ve got footswitch control over the two distortion modes so you can turn on extra tonal tenacity when you re playing live.
Mesa boogie are behind some of the most famous high gain tones in music history so it should come as no surprise that some of their pedals pack some serious heat.
Put the mesa boogie throttle box distortion pedal in front of your amplifier and get ready for pure rock fury served up with a side of aggression.
