Mastering For Vinyl Vs Digital

Vinyl s volume is dependent on the length of its sides and depth of its grooves which means an album mastered specifically for the format may have more room to breathe than its strained digital.

Mastering for vinyl vs digital.

Explain differences in vinyl vs digital mastering production sep 6 2009. It will store and reproduce anything in it s bandwidth. Vinyl is a lossy format and it has serious level dependent frequency limitations that get progressively worse towards the center of the disc. For example they can t make the vocals louder or the drums quieter.

Skipping needles during playback. The transients in your music would benefit from the headroom of the format. Title is pretty much self explanatory but i know you can write 1k pages on this but try to break it down in layman s terms to the. The transients in your music would benefit from the headroom of the format.

Although many artists have elected to use their digital masters for the vinyl cutting process the results are often mixed in terms of quality. Don t worry about bass. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. You can have sibilance at 0dbfs on digital that would either kill the recording head or distort like crazy on vinyl.

When mastering for vinyl they make sure certain frequencies of the overall album weren t too high or harsh. Depending on the master some of or all of these issues can occur when using a digital master for the vinyl cutting process. 3 005 posts since may 18 2005. If the client s budget permits having a separate digital cutting master that bypasses the limiter has added benefits in the vinyl world where the loudness wars aren t as pervasive.