Mastering For Vinyl Uk

Due to the physical nature of the cutting and playback process there are a number of considerations and limitations that must be addressed in mastering.

Mastering for vinyl uk.

That being said unlike digital mastering it has to follow a certain set of rules. The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record. Our philosophy our philosophy and mostly passion is to get the best possible audio for your musical projects. Vinyl has notable characteristics that cutting and mastering engineers need to be aware of when mastering for the format.

Vinyl masters will probably use a higher resolution file format for example 24 bit and perhaps 48 or even 96 khz sampling rate but if the cd has already been mastered these will probably be available from the original mastering engineer for little or no extra cost. Audio should avoid excessive high frequencies and out. But worry not we re experts in producing perfect vinyl masters at no additional cost to our normal analog tape masters. Vinyl mastering facilities rely on de essers that are built for this particular problem.

Vinyl mastering requires a perfect balance between knowledge and critical listening. Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion. However thoughtfulness and nuance are key. Our team comprises of sound engineers that have around 40 years experience between us.

Making the transition from digital to analog requires a lot of additional considerations. When submitting your music for vinyl production it is very important that it has been mastered for the vinyl medium. For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all. One such nuance is the relation between level and length of time.

Chameleon collective 2 12. It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting. Mastering for vinyl is now a highly specialised skill that few mastering engineers are able to do. Several known outboard de essers through the years include the maselec mds 2 and the orban 536 a.